Harry Bailey
2008-04-10 01:33:09 UTC
... and Mel Gibson's A Clockwork Orange ... !!!!!!!! And the Farrelly
Brothers' Citizen Kane!!!!
Yeah, I bet you've a deep unconscious desire to see such 'remakes' (if
they were to be made, of course :-)).
But such re-make insanity is not beyond the bounds of possibility any
more in our 'end of history' era (the future, increasingly now, just a
cheap-thrill, consumerist, twisted permutation of all that already
exists, the future as already past, our lost futures the only thing to
be nostalgic about), indeed, it's increasingly likely (we've already
had Scott's banana-chocolate-advert Lolita remake), and presently we
have all of these in the pipeline:
Rosemary's Baby (produced by Michael Bay's Platinum Dunes)
Suspiria (by Italian production company First Sun)
The Seven Samurai (produced by the Weinsteins; this one really kicks
the biscuit: script by [break out the cyanide tabs] John Fusco (Young
Guns I & II, Hidalgo) and you can check it for yourself here: [http://
www.iesb.net/index.php?option=com_content&task=view&id=3282&Itemid=99].
It's been 'modernized' to soldiers taking on an evil druglord, natch.
CGI explosions a-plenty.)
Straw Dogs (by Director Rod Lurie of "Resurrecting The Champ" & "The
Contender")
Rififi (directed by Harold Baker and starring master of subtlety Al
Pacino)
A Tale of Two Sisters (to be called "The Uninvited" directed by the
Guard brothers)
The Long Good Friday (reimagined by Paul WS Anderson of Resident Evil/
Alien Vs Predator fame)
There's no end to it, to this juggernaut of reappropriating banal,
twisted and deflationary versions of past cultural achievements (and
you can bet your bottom dollar that these guys are the first to
complain about today's 'lack of cinematic innovation' while
simultaneously up to their eyeballs in militantly shutting down all
possibilities for any such innovation). And it's all so fucking
TEDIOUS and amnesiac (even with remakes of fairly mainstream movies -
I mean, who even already remembers the remakes of Planet of the Apes
or Willy Wonka and the Chocolate Factory, despite their runaway box-
office "success"?).
What's even worse is that when highly respected and established
directors ('auteur' film-makers, or at least those with some track
record of having a consistent vision, philosophy, or set of themes
manifested in their previous work) fall into this trap, their future
becomes increasingly bleak and disappointing: consider Scorsese after
his remake of Cape Fear [and his current Rolling Stones shite; he
might as well be making a doc glorifying the 'magic' of Coca-fucking-
Cola]; consider Soderberg after his CGI remake of Solaris; consider
the Coens after [and before, it should be said] their remake of The
Ladykillers; consider Gus van Sant after his remake of Psycho;
consider Brian de Palma's remake of The Black Dahlia; and on and on
and on.
EVEN when directors re-make THEIR OWN MOVIE, the sirens go off:
Haneke's remake of Funny Games is pretensious, over-laboured SHITE
(though you won't think so if you haven't seen his original from a
decade ago); but we can go back further: Hitchcock, perhaps the first
director to remake his own movies (The 39 Steps, etc), could never
surpass the originals, even though he only remade them, as he himself
then cynically reasoned, for the Hollywood-US market in order to
increase his movie-making muscle there (and his loot).
And none of this is even to begin to address those film-makers who are
desperate, not just to appropriate/bask in the narcissistic glory of
another's past achievements by 'remaking' their work, but to even
'finish' for them their own unfinished, death-interrupted work:
Spielberg 'finishing' Kubrick's AI (well, we've had a million mad
threads hereabouts on THAT topic already); Tykwer 'finishing'
Kieslowski's Heaven; and an abandoned Kurosawa project currently being
'finished' by some pompous gobshite.
Like Peter Finch in Network, "I'm mad, I'm mad as hell - and I'm not
going to take it any more!!". Instead, I think I'll go and 'do' a
remake of Ed Wood's Plan 9 From Outer Space (shot and edited 'in-
camera' on an iPhone, of course); I mean, there's just gotta be a lil'
market niche for remakes of failed movies that are bound to keep the
capitalist suits box-office happy-dappy!
So then, seriously, what's your fave 'remake'?
And what film is really so lousy (the ONLY justification for ever
remaking anything), that it's crying out for a remake (but never will
be, precisely for that very reason)?
Brothers' Citizen Kane!!!!
Yeah, I bet you've a deep unconscious desire to see such 'remakes' (if
they were to be made, of course :-)).
But such re-make insanity is not beyond the bounds of possibility any
more in our 'end of history' era (the future, increasingly now, just a
cheap-thrill, consumerist, twisted permutation of all that already
exists, the future as already past, our lost futures the only thing to
be nostalgic about), indeed, it's increasingly likely (we've already
had Scott's banana-chocolate-advert Lolita remake), and presently we
have all of these in the pipeline:
Rosemary's Baby (produced by Michael Bay's Platinum Dunes)
Suspiria (by Italian production company First Sun)
The Seven Samurai (produced by the Weinsteins; this one really kicks
the biscuit: script by [break out the cyanide tabs] John Fusco (Young
Guns I & II, Hidalgo) and you can check it for yourself here: [http://
www.iesb.net/index.php?option=com_content&task=view&id=3282&Itemid=99].
It's been 'modernized' to soldiers taking on an evil druglord, natch.
CGI explosions a-plenty.)
Straw Dogs (by Director Rod Lurie of "Resurrecting The Champ" & "The
Contender")
Rififi (directed by Harold Baker and starring master of subtlety Al
Pacino)
A Tale of Two Sisters (to be called "The Uninvited" directed by the
Guard brothers)
The Long Good Friday (reimagined by Paul WS Anderson of Resident Evil/
Alien Vs Predator fame)
There's no end to it, to this juggernaut of reappropriating banal,
twisted and deflationary versions of past cultural achievements (and
you can bet your bottom dollar that these guys are the first to
complain about today's 'lack of cinematic innovation' while
simultaneously up to their eyeballs in militantly shutting down all
possibilities for any such innovation). And it's all so fucking
TEDIOUS and amnesiac (even with remakes of fairly mainstream movies -
I mean, who even already remembers the remakes of Planet of the Apes
or Willy Wonka and the Chocolate Factory, despite their runaway box-
office "success"?).
What's even worse is that when highly respected and established
directors ('auteur' film-makers, or at least those with some track
record of having a consistent vision, philosophy, or set of themes
manifested in their previous work) fall into this trap, their future
becomes increasingly bleak and disappointing: consider Scorsese after
his remake of Cape Fear [and his current Rolling Stones shite; he
might as well be making a doc glorifying the 'magic' of Coca-fucking-
Cola]; consider Soderberg after his CGI remake of Solaris; consider
the Coens after [and before, it should be said] their remake of The
Ladykillers; consider Gus van Sant after his remake of Psycho;
consider Brian de Palma's remake of The Black Dahlia; and on and on
and on.
EVEN when directors re-make THEIR OWN MOVIE, the sirens go off:
Haneke's remake of Funny Games is pretensious, over-laboured SHITE
(though you won't think so if you haven't seen his original from a
decade ago); but we can go back further: Hitchcock, perhaps the first
director to remake his own movies (The 39 Steps, etc), could never
surpass the originals, even though he only remade them, as he himself
then cynically reasoned, for the Hollywood-US market in order to
increase his movie-making muscle there (and his loot).
And none of this is even to begin to address those film-makers who are
desperate, not just to appropriate/bask in the narcissistic glory of
another's past achievements by 'remaking' their work, but to even
'finish' for them their own unfinished, death-interrupted work:
Spielberg 'finishing' Kubrick's AI (well, we've had a million mad
threads hereabouts on THAT topic already); Tykwer 'finishing'
Kieslowski's Heaven; and an abandoned Kurosawa project currently being
'finished' by some pompous gobshite.
Like Peter Finch in Network, "I'm mad, I'm mad as hell - and I'm not
going to take it any more!!". Instead, I think I'll go and 'do' a
remake of Ed Wood's Plan 9 From Outer Space (shot and edited 'in-
camera' on an iPhone, of course); I mean, there's just gotta be a lil'
market niche for remakes of failed movies that are bound to keep the
capitalist suits box-office happy-dappy!
So then, seriously, what's your fave 'remake'?
And what film is really so lousy (the ONLY justification for ever
remaking anything), that it's crying out for a remake (but never will
be, precisely for that very reason)?