s***@hotmail.com
2014-11-08 18:58:57 UTC
-- obligatory spoiler alert --
"Interstellar" involves the last remnants of NASA covertly funding planetary missions through a newly-appeared wormhole by Saturn [~appearance of monolith by Jupiter]. Earth is literally drying-up, and government funding has shifted almost exclusively to agriculture.
A near-astronaut-turned-farmer finds a gravitational anomaly in his daughter's bedroom; dust accumulating into a binary signal pattern. This binary signal [~Sagan's "Contact"] leads the astronaut to particular Earth coordinates [~Tycho's monolith location].
Sub-plot has theoretical physicists wrestling to apply quantum theory to the theory of relativity in the hopes of trans-dimensional space travel. Einstein dubbed quantum theory as 'spooky action at a distance', and this is depicted as an invisible 'ghost' in the bedroom of the astronaut's daughter.
The NASA space missions involve walking, talking, all-purpose, ex-military A.I. robots. Like the HAL 9000, they are featureless and dubbed with acronyms; CASE, KIPP [~Thorne] and TARS [~anagram of 'star']. These robots are designed like monolith slabs, with their seamless segments applied to movement and utility.
Like HAL, a trusted character with a deeper understanding of the space mission tries to kill/maroon the rest of the crew. A lengthy space airlock/docking sequence is similar to Bowman trying to gain access to the Discovery [~Endurance] while being locked out by HAL [~TARS].
There is also a brief discussion about the American moon landings being faked to bankrupt Russia in a space race, which may be a nod to the Kubrick rumour mill.
Travel through the wormhole is less like the 2001:aso stargate sequence and more similar to that in the movie "Contact". Plot of "Interstellar" is more concerned with a battle between time and relativity, both affected by the gravity of a black hole near one of the planetary missions.
When the astronaut eventually enters the black hole, his spacecraft is ripped apart by ice/dust and he must eject. A brief, stargate-like passage begins a blatant rip-off of 2001:aso where the lone space-suited astronaut is suspended in a bedroom.
There, the astronaut realizes that while he was trying to communicate with his daughter in the past, the future human race (which has already solved the quantum/relativity equation in the future) is attempting to communicate with him.
This story mode is glaringly similar to Nolan's "Inception", where various levels of a dream world (playing out in varying time dilation) must all intersect at a particular time to solve the plot's central crisis.
Linking the astronaut father, the science geek daughter, the bedroom and the 'ghost' together early on telegraphs a future trans-dimensional connection well in advance of any twist or surprise. "Interstellar" then hammers the point home multiple times that the astronaut, stuck in a future dimensional time bridge, is/was the 'ghost'.
Unlike 2001:aso, there are few lingering passages of cosmic awe and wonder, and every scientific or theoretical idea is over-explained as to be understood by mainstream audiences. "Interstellar" was once to be directed by Steven Spielberg and, with so many scenes dedicated to love and family, it does seem like a script written for him.
However, there are no aliens in "Interstellar". The idea is that the highly advanced beings are that of future Earth inhabitants, which have mastered dimensional time travel.
"Interstellar" works best when it is coldly neutral and bleak, per Nolan's aesthetic, as the space travelers endure the ravages of space-time while visiting two uninhabitable planets.
Fans of 2001:aso will definitely appreciate "Interstellar" for the future space travel technology and visuals, which are of very high quality and equal or top those of last year's movie "Gravity".
Regards,
Steve
"Interstellar" involves the last remnants of NASA covertly funding planetary missions through a newly-appeared wormhole by Saturn [~appearance of monolith by Jupiter]. Earth is literally drying-up, and government funding has shifted almost exclusively to agriculture.
A near-astronaut-turned-farmer finds a gravitational anomaly in his daughter's bedroom; dust accumulating into a binary signal pattern. This binary signal [~Sagan's "Contact"] leads the astronaut to particular Earth coordinates [~Tycho's monolith location].
Sub-plot has theoretical physicists wrestling to apply quantum theory to the theory of relativity in the hopes of trans-dimensional space travel. Einstein dubbed quantum theory as 'spooky action at a distance', and this is depicted as an invisible 'ghost' in the bedroom of the astronaut's daughter.
The NASA space missions involve walking, talking, all-purpose, ex-military A.I. robots. Like the HAL 9000, they are featureless and dubbed with acronyms; CASE, KIPP [~Thorne] and TARS [~anagram of 'star']. These robots are designed like monolith slabs, with their seamless segments applied to movement and utility.
Like HAL, a trusted character with a deeper understanding of the space mission tries to kill/maroon the rest of the crew. A lengthy space airlock/docking sequence is similar to Bowman trying to gain access to the Discovery [~Endurance] while being locked out by HAL [~TARS].
There is also a brief discussion about the American moon landings being faked to bankrupt Russia in a space race, which may be a nod to the Kubrick rumour mill.
Travel through the wormhole is less like the 2001:aso stargate sequence and more similar to that in the movie "Contact". Plot of "Interstellar" is more concerned with a battle between time and relativity, both affected by the gravity of a black hole near one of the planetary missions.
When the astronaut eventually enters the black hole, his spacecraft is ripped apart by ice/dust and he must eject. A brief, stargate-like passage begins a blatant rip-off of 2001:aso where the lone space-suited astronaut is suspended in a bedroom.
There, the astronaut realizes that while he was trying to communicate with his daughter in the past, the future human race (which has already solved the quantum/relativity equation in the future) is attempting to communicate with him.
This story mode is glaringly similar to Nolan's "Inception", where various levels of a dream world (playing out in varying time dilation) must all intersect at a particular time to solve the plot's central crisis.
Linking the astronaut father, the science geek daughter, the bedroom and the 'ghost' together early on telegraphs a future trans-dimensional connection well in advance of any twist or surprise. "Interstellar" then hammers the point home multiple times that the astronaut, stuck in a future dimensional time bridge, is/was the 'ghost'.
Unlike 2001:aso, there are few lingering passages of cosmic awe and wonder, and every scientific or theoretical idea is over-explained as to be understood by mainstream audiences. "Interstellar" was once to be directed by Steven Spielberg and, with so many scenes dedicated to love and family, it does seem like a script written for him.
However, there are no aliens in "Interstellar". The idea is that the highly advanced beings are that of future Earth inhabitants, which have mastered dimensional time travel.
"Interstellar" works best when it is coldly neutral and bleak, per Nolan's aesthetic, as the space travelers endure the ravages of space-time while visiting two uninhabitable planets.
Fans of 2001:aso will definitely appreciate "Interstellar" for the future space travel technology and visuals, which are of very high quality and equal or top those of last year's movie "Gravity".
Regards,
Steve